{"product_id":"il-disegno-di-un-utopia-2003-r-r-r-paolo-giandebiaggi","title":"IL DISEGNO DI UN' UTOPIA | 2003 | R.R.R | PAOLO GIANDEBIAGGI","description":"\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-28\" data-turn-id=\"request-WEB:990abe1e-198c-4646-a8a3-fac5617de220-13\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-sm:[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-5\" dir=\"auto\" data-message-id=\"4f18ca09-6fb5-40ba-8830-49d4c5b394b3\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\"\u003e\n\u003cdiv class=\"streaming-animation markdown prose dark:prose-invert w-full break-words light markdown-new-styling\"\u003e\n\u003cp data-start=\"64\" data-end=\"842\"\u003eThis scholarly investigation by Paolo Giandebiaggi titled \u003cstrong data-start=\"113\" data-end=\"142\"\u003e“Il disegno di un’utopia”\u003c\/strong\u003e examines the role of \u003cstrong data-start=\"164\" data-end=\"189\"\u003edrawing and surveying\u003c\/strong\u003e in architectural design and urban transformation in the city of Parma between the late 18th and early 19th century. The study traces how graphic representation became an instrument not merely of documentation but of visionary urban planning — a means to conceive, design and realise a utopian city schema. By analysing archival plans and drawings, the author situates the survey and drawing process as active agents in the “project‑city” construction. The work contributes to our understanding of \u003cstrong data-start=\"687\" data-end=\"719\"\u003earchitectural representation\u003c\/strong\u003e, urban morphological evolution and the power of drawing as conceptual device in historical urbanism.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"World Plants","offers":[{"title":"Default Title","offer_id":55114700521806,"sku":"WP-2903-S-BOXWP16_57","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0898\/0604\/5518\/files\/ILDISEGNODIUN_UTOPIA.jpg?v=1762899744","url":"https:\/\/worldplants.it\/products\/il-disegno-di-un-utopia-2003-r-r-r-paolo-giandebiaggi","provider":"Worldplants","version":"1.0","type":"link"}